centre of wood

10/07/09

09/07/09

An obscure, private, psychedelic LP recorded by a guy in rural Iowa in the late 70's. Best description: "features real primitive basement-psych guitar rock that is outrageously fucked, inspirational, distortion-overloaded and massively mindblowing."

http://www.mediafire.com/?uzj3ajml2ty

ahulabrum

Ahulabrum is a mysterious Black Metal band from somewhere in the United States fixated on UFOs. Magonia was released on tape in a very limited run and contains five strange and noisy songs, each one based on a different UFO related phenomenon. Ahulabrum has succeeded in creating sounds as bizarre and uneasy as its subject matter. The second track "The Rendlesham Forest Psyop" is about a number of UFO sightings in Suffolk, England in 1980. It's essentially the British Roswell. Track four is based on an incident in Cajneiro, Brazil on November 11, 1983. A farm worker encountered a heavyset, green, glowing figure obstructing the road. As the figure approached, it changed shape, assumed a strange yoga-like position, and vanished. The final track refers to Filiberto Caponi, a 23 year-old Italian who claims to have had many encounters with an alien being. He took six Polaroid pictures of it. Magonia is buzzing, chaotic and wholly disquieting. I really need to hear more from this brilliant band.

http://www.mediafire.com/download.php?nmndmnt0mq5

http://www.mediafire.com/download.php?mzjywxydze3

Another bizarre and beautifully fucked up recording from the mysterious West Virginia Black Metal cult, Ahulabrum. The Transitivity of Strangeness continues to delve further into the bands fascination with UFOs and extraterrestrial phenomena. After my last post about this great band I was visited by a strange man in an ill-fitting black suit, he introduced himself as Jack Brown and told me I shouldn't write about Ahulabrum anymore.

from : http://cosmichearse.blogspot.com

comus

a unique blend of progressive rock, folk and psychedelia, with a tense and sometimes distressed vibe. At times, this straddles the border between folk-rock and the kind of songs you'd expect to be sung at a witches' brew fest, the haunting supernatural atmosphere enhanced by bursts of what sound like a theramin-like violin, hand drums, flute, oboe, ghostly female backup vocals, and detours into almost tribal rhythms. The cover artwork was drawn in ball point pen by Roger Wootton, lead singer and songwriter of the band. The centre-fold artwork was painted by guitarist Glenn Goring.

Tracks:
1. Diana
2. The Herald
3. Drip Drip
4. Song to Comus
5. The Bite
6. Bitten
7. The Prisoner

http://rapidshare.com/files/103277560/Comus_-_First_Utterance.zip.html